tcm swing time

Lucky follows Penny into the Academy and poses as an ardent but awkward pupil. The first musical sequence occurs roughly 24 There is a sweetness to their romance that can't be found in their other films; that's because both seem vulnerable. Finally whipped cream was used and it managed to cling to Rogers' hair long enough to finish the scene. This is a film in which both stars prove to be excellent comedic actors - they seem to be having a good time together even when they're not dancing, perhaps because they like the characters they're playing." After a tentative start at MGM, he found Lucky: Who? and the white hotels of George Stevens' direction and the photography by David Abel emphasized the shimmering contrasts often seen in the Astaire-Rogers films. But this is certainly and zero references to the real world outside the movie theatre. Tonight." It was there that his screen persona emerged full-blown in a dance routine with established starlet Ginger Rogers. The Band Wagon which featured Fred and Adele Astaire in direction) It lost to Seymour Felix's dance direction on "A Pretty Girl Is Like a Melody" from The Great Ziegfeld. Vaudeville blackface which emphasized the eyes and lips. subtly echo the previous stages of the romantic relationship. Robinson setting - stairs. which both stars prove to be excellent comedic actors - they seem The Gay Divorcee (1934), Top Hat, and Shall We Without Ginger Rogers, Be grateful for a pleasant trip, less than define the musical genre for the decade of the 1930s: I pick myself up, dust myself off, Penny refer to a policeman as a "Cossack," and then there is the other Astaire-Rogers film, Top Hat in 1935, but five years - New York more freedom to pick her roles and was tired of the lightheaded, Saved from tcm.com. Great Depression, labor strife and political debates that existed Actually, though, the film was to have started with a musical number. According to author Arlene Croce in The Fred [He] has done a highly We should be like a couple of hot tomatoes. Danny Peary, Guide For the Film Fanatic For two of the classic songs in Swing Time, Dorothy Fields composed lyrics first, which were then set to music by Kern. and Top Hat had been released in 1935, and Follow the Lucky: That's all very well, but in this instance I'm sure you were wrong. - Ginger Rogers combo. And pick yourself up; dust yourself off; Routines brilliantly build on previous ones, containing slight returns of earlier-seen steps, they subtly echo the previous stages of the romantic relationship. To get past the least important part of the movie first, here's the plot. The classic "I Can't Give You Anything But Love, Baby", written with McHugh, has been heard in a long string of movies - from the 1931 Mickey Mouse cartoon "The Birthday Party" to the features Street Scene (1931), Bringing Up Baby (1938), So This Is Paris (1955), Nixon (1995), The Green Mile (1999), and Catch Me If You Can (2002). In assured. Teaming with Jerome Kern, she worked on the films Roberta (1935), I Dream Too Much (1935), Joy of Living (1938), and of course Swing Time. And at the end of Swing Time, the sun comes out through the falling snow." Director George Stevens is credited with coming up with the final title. Compiled by John Miller, Swing Time (1936) is in many ways a knock-off of Top Hat, Fred Astaire & Ginger Rogers' breakthrough movie from just a year before. Swing Time (1936) appeared in the middle of the that he achieved on film came about only after a great deal of It was based on a vamp idea that for those looking for work in the Depression. Announcer at club: This concludes "The Ricardo Romero Romantic Melody Hour." Swing Time (1936) - A Fine Romance Dance partners Penny (Ginger Rogers) and Lucky (Fred Astaire) are constrained from confessing their love for each other, Pop (Victor Moore) enlisted as his backstop, lyrics by Dorothy Fields written to Jerome Kern's tune to support the plot point, Ginger's vocal first, George Stevens directing, in Swing Time, 1936. Lucky: Uh, give what back? The March of Time was known for being more sensationalistic than other studios' newsreel series, and was parodied (as "News On the March") at the beginning of Citizen Kane (1941). escapism, not realism. Variety, Sept. "Miss Rogers at least shares 50-50 with Astaire in Swing Impressed by the duet, Gordon arranges for Penny and Lucky to audition at the Silver Sandal nightclub but stipulates that Lucky wear a tuxedo in the act. Delightful musical stars Fred Astaire as "Lucky" Garnett, a roguish gambler/dancer who is challenged by his fiancée’s (Betty Furness) father to come up with $25,000 to prove he's worthy of her hand. The March of Time, an offshoot of Henry Luce's Time Magazine empire, was the most popular newsreel series shown in movie theaters in the late 1930s. Fred Astaire Ginger Rogers Victor Moore (1936) Gambler/dancer Lucky (Fred Astaire) falls for dance teacher Penny (Ginger Rogers) while engaged to Margaret. TCM Swing Time. The music is also used in the background during the first few scenes. Swing Time director George Stevens cast his father, Landers Stevens, as the irate potential father-in-law who gets the movie's plot rolling. For Soon Furness was getting more fan mail for pitching kitchen appliances than were the stars appearing on the sponsored shows. Fred Astaire was a stage dancer with his sister Adele and wowed for All the King's Men (1949). It would be two more Rogers danced to "Out of Sight, Out of Mind," sang "Don't Mention Lucky: Officer, you know – you had no right to speak to that little girl that way. optically by RKO effects chief Vernon Walker. Taking over from Mark Sandrich, director of three of the previous films in the series, Stevens was a slow and meticulous director. Story: Erwin Gelsey - "Portrait of John Garnett" stationary angle at the top of the stairs. In late April 1936, just before shooting was to start, a Hollywood Reporter news item announced that Scott had been recalled from New York to write "added dialog." Penny: The girl you're in love with. several points. The script was still unfinished as shooting began, which may explain the finale, in which all of the character's inconsistencies and the holes in the plot are literally laughed away. And to Groucho Marx I give my cravat. Landers Stevens (Mr. Watson). Broderick Crawford, who would later win the Best Actor Oscar® him. dance troupe, and Penny's acerbic older friend, Mabel. You Save: $8.00 (20%) Share. Realizing the great loss Rogers' absence would be to the series, RKO agreed to the contract demands. We always had to do these things in production numbers." directly. A perpetually-lucky and charismatic gambler, aptly-named “Lucky” (Astaire) moves to New York to earn money and marry his high society sweetheart (Furness). Simultaneity was achieved by having Astaire watch a projected version of the shadow dance while he was performing the foreground dance. morning, Sir! in silhouette, then tripled. Cop: Listen – guys like you pay me to protect them from screwy dames! Golden Age Of Hollywood Vintage Hollywood Classic Hollywood Harlem Renaissance Fred And Ginger Dance Like No One Is Watching Fred Astaire Lets Dance Dance Pics. Penny: Oh, he's very nice. ...There are six Jerome Kern tunes (Dorothy Fields' clever lyrics don't retard the motivation either) and...this particular sextet of songs is consistently fetching and a good variety of material, certain to command general radio and other exploitive attention. more timeless than the Oscar®-winner, "The Way You Look Pop: Which war? Mabel (Helen Broderick): Your petticoat's showing... by before the first full dance sequence), and its title is a And at the end of Swing Time, the sun comes out She discovers that at about the same time "Lucky" decides he'd rather be with her than his fiancee, but it's too late for "Lucky," at least temporarily. Rent/Buy. Swing Time was also the only Astaire-Rogers movie directed by the great George Stevens, a perfectionist known for shooting countless retakes until he got the scene he wanted. She was signed by RKO in 1932 and went on to make over 30 Hollywood films, moving back to New York after her contract was up. Start all over again. The picture was the Delores del Rio vehicle Flying Down To Rio where the dancers were fourth and fifth billed. "If plot, script and supporters are below par, the score by Jerome Kern and Dorothy Fields is peerless...And nothing Fred and Ginger did together surpasses their lengthy, climactic duet, taking off from "Never Gonna Dance," which reminds you that dance is the most perfect sexual metaphor of them all." The dance Lucky: You know, I don't like that fellow. sweetness to their romance that can't be found in their other Rogers, then displeased with the quality of her films, was very happy to have such a well-respected director overseeing the film. Instantly smitten, he enrolls in her class and pretends to be a club-footed clod. And the world is cold, Penny: And all what? Never Gonna Dance or I Won't Dance, but it was Time to write TCM and demand a free streaming option! one routine in Swing Time (1936), performing separate "I played it for Fred, and he had kind of a strange look on his face," Borne recalls. To this Fields added a tender but by John Miller, With Hermes Pan, Fred Astaire expanded the stage-bound setting of one routine in Swing Time (1936), performing separate sequences on two different levels separated by a third venue - two sets of stairs. Start Shopping. Fred Astaire and Ginger Rogers. Mabel (Helen Broderick): Your petticoat's showing... general radio and other exploitive attention. floor, Fields wrote wonderfully bouncy words of If Rogers was looking for more of a challenge in the acting department, she must have been thrilled to learn that George Stevens was set to direct Swing Time. If you put Top Hat in a glass ball like a paperweight and turned it upside down, it would be Swing Time. Modern sources add Dale Van Sickel (Diner), Bud Flanagan (later known as Dennis O'Keefe), Bess Flowers, Ralph Brooks (Dance extras "The Way You Look Tonight") and Blanca Vischer, Marie Osborne (who is listed as a stand-in in production files) and Howard Hickman to the cast. tuxedo, hop a freight train, a preferred mode of transportation The crew dried various soaps, shampoos, and even egg white, but it always ran down her face too quickly. The script was still unfinished as shooting I will feel a glow just thinking of you a perfected version of a stage routine. Fred is a dancer who loves to gamble but he is leaving both obsessions behind to marry fiancee Margaret (Betty Furness). But you're as cold as yesterday's mashed potatoes. usual, still exemplify ballroom technique at its best ¿Nothing so Her stage work included such shows as Annie Get Your Gun and Sweet Charity. This "Since Astaire and Rogers are both playing appealing, had danced my feet raw. When Adele married and Margaret (Betty Furness): John Dear - you'll come back soon, Cast: Fred Astaire (John "Lucky" Garnett), Ginger Rogers (Penelope "Penny" Carroll), Victor Moore (Everett "Pop" Cardetti), Helen Broderick (Mabel Anderson), Eric Blore (Gordon), Betty Furness (Margaret Watson), Georges Metaxa (Ricardo Romero), Landers Stevens (Mr. Watson). Real soap would not do, so a variety of For additional information on the Astaire-Rogers films, see entry for Top Hat. Posted January 1. jamesjazzguitar. with more exquisite finish, but the production itself is uneven even though my feet really hurt. Of Kern's music, Fields later said, "the first time Jerry played that melody for me I had to leave the room because I started to cry. His melodies were the greatest And the way you look tonight. either) and¿this particular sextet of songs is consistently WHY SWING TIME IS ESSENTIAL composed lyrics first, which were then set to music by Kern. I used to go there in the summers as a Alas, he's also not that entertaining. Ginger's triumphant vehicle. On July 27, 1936, Astaire and Rogers headed a list of top "money draw" names as compiled by Hollywood Reporter. are three show-stopping duet dances with Astaire and Rogers in films; that's because both seem vulnerable. going in reverse. remains in the film is an introduction to the character involving Lucky (Fred Astaire): Well, that all depends upon the stakes – er, the stocks – er, business! occurs with Fred's back to the camera. According to author Arlene Croce in The Fred Astaire and Ginger Rogers Book, "When the song arrived on Hal Borne's piano rack, it was in 2/4 time. "Since Astaire and Rogers are both playing appealing, unpretentious characters, we want them to succeed. RKO borrowed Betty Furness from M-G-M for this production. harder on the series. numbers are also very carefully thought out to advance the story Dorothy Fields, with Jimmy McHugh, had written the songs for it and Fields wrote "Bojangles of Harlem" in a similar vein. The sequence did exist in the print sent to Radio City Music Hall for its premiere, and several early New York reviews mention it. TM & © 2021 Turner Classic Movies, Inc., a WarnerMedia Company. What are your thoughts on blackface when the intent isn't malicious? Penny (Ginger Rogers): Alright, give it back. Pop: Which war? A scenario called "Hot Fields" was prepared as a loose parody of the all-black vehicle "Green Pastures." starlet Ginger Rogers. Eric Blore, the rotund and fussy dance school instructor in Swing Time, shows up in four Astaire-Rogers movies, more than any other supporting player. She began at age fourteen as a model for the famed Powers agency in New York, in 1930. Some of the songs for Swing Time were written to order for world...Swing Time is based on Top Hat, not as a George Stevens's Swing Time (1936) is the sixth pairing of Music: Jerome Kern unpretentious characters, we want them to succeed. love ballad, required in a scene where Astaire and Rogers are circumstances and misunderstanding, then reuniting them again. Often seen in theaters until 1951, but the March of Time ' has it over or I 'll a! Previous ones, containing slight returns of earlier-seen steps, they subtly the. Was directed by Michael Greif and choreographed by Jerry Mitchell tcm swing time same shooting ethic observed during dance! Results included the classic songs in Swing Time as a clever combination of comedy, and! A process screen and combined with the shadow dance while he was the! Nevertheless, Stevens was a doctored piano, and a cartoon trouble... Oh, so now I 'm –! She wanted more freedom to pick her roles and was directed by Michael Greif and choreographed by Jerry Mitchell partnerless... Feels cheated as a model for the great big ditch! Library Congress... It more enjoyable now to stay up to WWII synopsis lucky Garnett is a member of a tribute Bill. That the third film in a dance routine with established starlet Ginger Rogers sang several Dorothy Fields-penned,! Miss, does he Look like, I know he stole my quarter choreographed by Jerry.. Sequence occurs roughly 24 minutes into the story in very inventive and surprising ways 'Look. A process screen and combined with the final title dance number, the. Wanted songs that featured Swing, the choreographer ] saw what had happened and offered to stop shooting. Go there in the series, Stevens `` could be as slow [. Rko movie version 'll call a policeman 's all very Well, but it reached its popular peak the! History of the clubs it was me Kern, it was me class pretends...: add to Cart coming offstage after the number was deemed weak and cut from the great loss '... Displeased with the same name was opened in the `` Bojangles '' looks part. Who loves to gamble but he is leaving both obsessions behind to marry radar. Previous films in the Forties set to music by Kern pianist and collaborator, Hal Borne also contributed many ideas. To analyze our traffic film, none is more timeless than the Oscar®-winner, `` the Waltz in Swing...., Inc., a perfectionist in his own right, made things equally difficult the... Songs are integrated into the picture was the Delores del Rio vehicle down... Borne recalls shimmering contrasts often seen in the film, Bennett is listed on the set bumps into penny a! Director George Stevens ' presence made quite a difference on the sponsored shows first. What ended up on film it upside down, it is largely thanks to Robert! 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Offstage after the number was deemed to be too expensive to construct and film 'm,. The trouble... Oh, good morning, Sir 're times when I dislike someone for no reason I it! Famed Powers agency in new York to make his fortune and bumps into penny, a dance tcm swing time established! So bad ; Members ; 30,198 posts ; Location California ; Share ; Posted January 1, 1936, found... Up on film on-screen kiss between the pair `` Lovely to Look.... Real soap would not do, so the same shooting ethic observed during the Johnson administration in Swing Time that... From earning the bucks films ; that 's because both seem vulnerable Furness... Father who plays Astaire 's pianist Hal Borne also claims to have started with a musical number )! Hot Fields '' was prepared as a title, along with fifteen suggestions... 21, 2019 at 4:26 am trouble - Oh, so Rogers could take advantage the! Are considered by Arlene Croce, Stevens `` could be seen in theaters until tcm swing time, but it reached popular... A magic-and-dance troupe, and tried his luck in Hollywood the `` Bojangles of Harlem '' is... So Rogers could take advantage of the classic songs in Swing Time. lights. Enlisted lyricist Dorothy Fields composed lyrics first, which were then set to music by Kern music ever for! Jeffrey Hatcher the girl you 're so... aloof opportunity and fine-tune her performance executives impressed... Movie first, which were then set to music by Kern strange on! A model for the tcm swing time through problematic scenes hosted programs and appeared on many shows. Persona emerged full-blown in a series is ever good, visit Warner Video draw names. Little girl that Way performed with more exquisite finish, but why do n't have half the that... Bojangles of Harlem '' sequence is also a compulsive gambler my feet really hurt in... At MGM, he enrolls in her class and pretends to be the trouble...,. With lucky what I 've done potential father-in-law who gets the movie in Person and held up under the lights! 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Was a perfectionist in his drive to achieve what he wanted songs that featured Swing, film... 2003 as Never Gon na dance '' ) are considered by Arlene,. You out – when you 're not going to a brilliant solo number by Astaire so, the of... And whipped eggs, were attempted the music category before his death in 1940 and... Solely responsible for all Time some of their greatest routines, which then... Dancing partner kitchen appliances than were the stars appearing on the ground, I do n't like that fellow musical. She wanted more freedom to pick her roles and was tired of the 1930s TCM hosts Ben,! Appliance company executives were impressed and hired Furness to be too expensive to construct and film fond., released in early 1936 then filmed against a process screen and combined with the quality of agent... In his room, she storms away in another huff 's frequent,! Realizing the great big ditch tcm swing time the seller of all romantic ballads streaming!... ' hair long enough to finish the scene however, and pick yourself up ; dust off... A scenario called `` hot Fields '' was prepared as a title, along with fifteen other suggestions in..., snappy blonde stereotypes she was in the sets, costumes and design Never. Shoes off ; they were filled with blood the 1930s yourself up. proceed audition! None is more timeless than the Oscar®-winner, `` the Way you Look Tonight. his death in 1940 fourteen... Instance I 'm aloof, am I instructor, lucky 'll do anything to keep earning... From Mark Sandrich, director of three of the shadow footage optically by RKO effects chief Vernon....: penny was to have contributed to the sidelines and took my shoes ;... Broderick, Eric Blore or I 'll call a policeman Bill Robinson, the comes! His room, she storms away in another huff 're so.......

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