stan lynch interview

It was a crazy room to be in,’ Lynch recalled. ‘It gives you a level of control to produce the songs you write. Stan Lynch. There’s no way to tell. Whatever my partner needs, I’m right there for them. ‘They’ve got me feeling my way through a roster of writers,’ he said, ‘and the writers I’ve teamed up with so far, like Steve Bogard and Tom Douglas are really some soulful, beautiful people. She has launched a new service, writing bios, articles and press releases. Any form of the Heartbreakers, I would love to play with. ‘There’s no way I could thank him enough.  In the ’80s he encouraged me to write. In 2002, Tom Petty & the Heartbreakers were inducted into the Rock and Roll Hall of Fame. I’m a guitar player. Stan had said that JI (I believe it was Jimmy) had a saying "thats a million miles away" when he was basically blowing you off because your little request or comment is a million miles away from what he was focused on then, not important, I … ‘When I grew up, drummers were explosive, like buckets of bolts rolling downhill,’ he recalled. He sat down behind the kit and I picked up a guitar. I’d love to play with Mike and Ron (Blair, former bassist) and Stan (Lynch, their former drummer). In addition to Scotty Moore and D.J. "You can look at it as almost music for a cop show from ‘67 that didn’t make it - they did the pilot and everybody turned it down,” Baird says. ‘I would let all the gatecrashers in. I can’t do that. I did it for me — not for the CEO. He produced and co-wrote most of the stuff with Don and he brought me in. Just listened to an interview with Jimmy Iovine on the Howard Stern Show last year. ‘I talk to them most every week.’, During his first trip to Nashville in the early ’90s, Lynch was introduced to Raul Malo of the Mavericks, with whom he wrote ‘I Should Have Been True,’ a song intended as a homage to the late Roy Orbison. The writing has never really felt like work. Unfortunately, I don’t think he needs my help. Dan’s a cracker poet. ‘It was really memorable.’, Working in Nashville has been a positive experience for Lynch, who just signed a publishing deal with Sony/ATV Tree. “We basically grew up almost in the same room,” Lynch explains. For someone who has been an elite member of the music world for nearly three decades, Lynch said he still has one unrequited desire. He’s my representative. He never shared his thought processes.’. They got me reading better books and helped me step up to the plate professionally. He worked really hard to get this drum sound. ‘It was his music and his vision,’ said Lynch. Baird and Lynch both think Heated & Treated is just the first of more collaborations to come. “I’m not going to let him off the hook. The world is just too glossy. When he referenced stuff like that, it was like, ‘Shit, I want to be at the party.’", It's not hard to trace Lynch's affection for the songs on Heated & Treated. The studio was a tense place, and the scapegoat was drummer Stan Lynch. See Photos. You can also visit her website: www.musicgerm.com. You can order the album Heated & Treated HERE . If he feels my work should go to certain people, then I’m going to let him be my discriminator. Lynch joined the Heartbreakers in 1974, when he was recruited by Petty’s piano player Benmont Tench. As a teenager growing up near Gainesville, Fla., Lynch determined that he would find a way to make a living with music. THE S&V INTERVIEW. “I did it for real. ‘The drums for me were not really a discipline but more of an expression. ‘As a kid I had very little opportunity. Occupation (s) Songwriter, Record producer, Musician. He’s very calculating and visceral about his approach to songwriting and I learned a lot from him, whereas Petty was more stoic. Dan referenced a song by the T-Bones ... called ‘No Matter What Shape (Your Stomach’s In).’ It was a commercial. Also, surround yourself with people who are better than you are. He always had that. "I felt like the geek guy asking the pretty girl out on a date when he’s 17," Baird says. I need Arthur and hopefully he needs me. I find as I get older, I appreciate that more. I'm thinking of songs like American Girl. In a recent interview, Lynch recalled some of his most memorable experiences, including his 2002 induction into the Rock and Roll Hall of Fame, and discussed his recent publishing contract with Sony/ATV Tree Music Publishing in Nashville. I’d like to build careers all the way through to the greatest hits album. Lynch also attributes Don Cook’s production abilities to the song’s unique sound. “I said, ‘Dan, if I put a beat to this, it’s not going to do what the drum machine does,’ which means, basically, the house of cards could just fall apart musically," he recalls. I've also just released a new album with The Hangfires so stay tuned, I ain't done by a long shot. I worshiped that beat, and it turns out that it was the incomparable Hal Blaine. ', “I think Mike [Campbell] came over and started playing bass. Dan was immediately irreverent.”, They became running buddies, hitting the trails each day and jogging for miles. Although most of the band hailed from Gainesville, they didn’t officially become the Heartbreakers until they came together in Los Angeles. And then Tom and [bassist] Howie [Epstein] came up, Howie grabbed something and then Tom started singing harmony. If you love it, you can do it for the rest of your life. “Yeah, like ‘Why would I do this?’” lead guitarist Mike Campbell recalled in a recent interview. THE S&V INTERVIEW. ‘He was a part of this thing called ‘The Section’ in Los Angeles and they played on all the great singer-songwriter records. I went, ‘Are you fuckin’ kidding me, man? Moore can be contacted at [email protected]. “I think somehow he made a joke about a lawn chef or something one day, and that just made my head explode. His successful albums are Damn the Torpedoes (1979), The Live Anthology (2009) and An American Treasure (2018). The cat was let out of … What I learned is that it’s harder to play on crummy songs,’ said Lynch, who now, as a producer finds it necessary for musicians and songwriters to understand one another’s craft. Even if you’re just going to shine Bob’s shoes you’d learn something.’, ‘I got to play on really great songs and that was part of the experience of being a drummer. We know him as a vital member of the classic Heartbreakers lineup. We started playing the [Rolling Stones] song 'Let It Bleed. A 2020 interview with Stan Lynch, the former drummer from Tom Petty and the Heartbreakers. And as Lynch recalls, he and Baird became fast friends. Those TP songs hit me hard as a young kid in the late '70's, and next to Stewart Copeland, Stan Lynch was the guy to follow. Instruments. ‘He was a really great writer and musician, almost like a prodigy guitar player,’ Lynch said of Kortchmar, who started writing in the ’70s with Jackson Browne and performed on albums such as Carole King’s. First off the slab is a project by me and my longtime friend Stan Lynch (aka The Golden Chef aka GC), called The Chefs. Thanks John for the interview. But he was like, “Yeah, I’m in.”, When Lynch sent back what he had done in “Hippy Surf Party,” Baird knew instantly Lynch was a kindred spirit for the project. I need notes next to the other note so that I can judge.”, Lynch immediately recognized a challenge. Keep your mouth shut and your ears open and just learn.’. When Tom Petty was asked to describe original Heartbreakers drummer Stan Lynch in the 2005 book Conversations With Tom Petty, the bandleader responded with, “Stan. There is no short form to this, no class you can take, no ring to kiss. ‘I’m going to write the best songs I can. I would love to be the gatekeeper.’, Despite his success in Nashville, Lynch continues to make his home in his native Florida. ‘It was called Tom Petty and the Heartbreakers for a reason.’, By the early ’90s, Lynch had begun to evolve away from the Heartbreakers. Listen to the Harshed Mellows' 'U.S. ‘I came in with the pad full of ideas and the first thing Don did was correct all my punctuation and spelling with a red pen. I’ve got to hear the auctioneer at the vocal mic. He once said to me that a song has to work from the waist down and from the neck up. Probably best known for having been the longtime drummer and founding member of Tom Petty & The Heartbreakers, Lynch has also toured the world with Bob Dylan, and written and produced songs for Don Henley, the Eagles, the Mavericks and many others. During the twenty years that Lynch played with the Heartbreakers, he said he only contributed to the songs, but never co-wrote or collaborated with Petty. ... and I think Stan, or anybody sitting in that chair, would probably crack and get fed up. Everybody gets sick of your jokes after a while. "I’m altering the actual DNA of that [foundation] now. He was the original drummer for Tom Petty and the Heartbreakers for 18 years until his departure in 1994. It sometimes takes awhile for them to discover that. I know drummer Stan Lynch wasn’t pleased with this. ‘I’d like to run a record company for a year,’ he said. ‘Tom (Petty) used to say, ‘take care of the music and maybe someday the music will take care of us,” said Lynch. Blues” for 1991’s all-star Deadicated tribute LP. I wasn’t going to college. I don’t want to play the politics. I look at every year and I can’t believe I get to put ‘musician’ on my tax return.’. The Chefs have never spent any time in culinary school. Lynch is hoping his partner steps up to the mic next time too. The entire band was displeased by those decisions, but Stan was the most vocal. I grew up in a small town in Florida and there’s something nurturing about being in a place where everyone knows everyone. I’m going, ‘This is unbelievable. I just thought, ‘Well, we’ve got a new tour concept.’ If you’re at the top of your game, you’re now a chef. ‘Vince Gill just blows me away. And he was dissing Stan Lynch for being behind the beat. I want to hear bands that stop me in my tracks. Seeing his process and how his songs morphed over the years was really a seminal experience for me, as was the couple of years I spent playing drums for Bob Dylan, who I went around the world with a couple of times. The pair were married for over two decades before they lost the spark in their relationship and eventually went their separate ways in 1996.The former ”, Either way, he says, Baird "always takes feel over perfection.” It was Lynch's responsibility to make sure things were perfectly dialed in. ‘Do you love this? They remained friends once the tour ended, with Lynch even dropping by the sessions for Baird's first post-Satellites solo album, 1992's Love Songs for the Hearing Impaired. Make the best music you know how, and when you get to the level where you need to be, you’ll get heard. I love working with soulful people. At one point he was temporarily dismissed because of his constant bickering with Iovine over the drum sounds. If you think you’re ever going to try to be songwriter, go work with guys like that. He has a real effortless way about him and that’s not easy.’, For aspiring songwriters, Lynch offered some philosophical advice. I’ve got to hear Dan sing. ‘The first thing should do is ask yourself if this is something you really want to do,’ he said. It’s not going to get a lot better than this in your life, you do understand this, right?’". The pair first crossed paths on 1987's Rock ‘n’ Roll Caravan tour that featured Petty, the Satellites and the Del Fuegos. "We were the only band on the Deadicated record that had two drummers, two guitars, bass, keys and female vocals. “We both loved to laugh! I’m tired of the flavor of the week and all the pretty little people. Interview with Stan Lynch about his career as a songwriter & record producer. ‘The drums were sort of a happy accident. Stan Lynch is a highly respected musician, songwriter and producer, who has worked and collaborated with several of the most influential rock artists of the past two decades. ‘Musicians sometimes think they’re just playing their instrument, when what they’re really doing is playing a song. We did the interview in the spring of 2018 and it came out I believe in the summer of 2018, so it's pretty recent all things considered. Blues', Released as the Harshed Mellows, the song lost the original's shuffle when the new group "square[d] out the beat and [made] it aggressive to where it feels right,” says Baird. I can’t jump a fifth and land in tune. He is a member of music group Tom Petty. Classic Rock Interviews These are the interviews from the most recent editions of the weekly national radio broadcast of In The Studio . You’ve got to be honest down there.”, It helps that the old friends have similar tastes in music. I’ll be the bohemian with the old beat up guitar on my back saying ‘I think I’ve got what you need,’ and he’ll be the guy with the suit and the pen who knows where to go with it. “On a tour, you kind of get a dude tour wife. “We had so much in common without even talking about it. His the best movie is Pack Up the Plantation - Live!. He told me, ‘you’re a funny guy; you ought to write this stuff down.’ That’s how casually he ushered me into my next life.’, To help refine his songwriting skills, Lynch said Henley and Kortchmar gave him a title, a legal pad and a track on a cassette and told him to write some words to a song that became ‘Driving With Your Eyes Closed’. In the following interview with MusicRadar, Steve Ferrone talks about playing with Tom Petty And The Heatbreakers, along with some of the other illustrious names on his CV. "He was like, ‘Sure, send it on over,’ and he’s going, ‘Man, this is a fantastic melody, are you sure you don’t want to write words?’ I went, ‘Stan, I can’t sing it. I’d love to know even a tenth of what he knows on the guitar. You remember dozens of moments, including an interview for Billboard when he was 64 and you were sitting with him in a glassed-in studio booth while … I want my work to speak for itself and that’s where Arthur comes in. The interview was conducted by Jeff Sims, guitarist of the Dixie Desperados and lifelong friend of Lynch's. It was a different job, and not a job I wanted to have. He said, ‘I can’t look at this crap, I can’t read a thing on here.’ These guys were so straight up with me, like only brothers could be. Henley’s willingness to share his wisdom is no small matter to Lynch. Drums, guitar, piano, vocals. I met (Kortchmar) when Don Henley was making his first solo album. ‘That was a very exciting experience.’, Lynch said he loves the camaraderie of collaborating on songs. I want legends. I am backstage and I’ve got the entirety of the Heartbreakers as my backup band for four minutes. I’m very confident that we’ll find the right situation for him.’, Lynch said the nice thing about a publishing deal is that the record company handles the business end of the process, allowing for more time to be creative. If somebody lets you produce their songs, you have to protect them. It took me about five years. I want to hear some bands who can make some noise on their own. Providence Civic Center, Providence, RIDate: February 1st, 1990Mike Campbell’s 40th Birthday From: Mike’s Music Archive “We got together, and I had to square up my bass a little bit to his kick drum. If you have a passion for what you do, you probably will do okay. “He hears it, hears everything,” he says, noting that some adjustments had to be made. Stan Lynch is a highly respected musician, songwriter and producer, who has worked and collaborated with several of the most influential rock artists of the past two decades. ‘It was just kind of an organic, nebulous way we all got back together again in California,’ he said. You go, ‘Who is going to be my guy until I burn him out and wear him out?’ You wear out everybody on the road. I remember that you could hear Dan laughing from a quarter of a mile off,” Lynch says. So, of course it’s going to sound great. I can create a noise for you for a half a million dollars, but why? Jayne Moore is a freelance music/entertainment journalist. The Rolling Stones’ ‘Honky Tonk Woman’ would have been a hit country song today. My father looked at me as if I were going to wear a dress and dance in the circus.’. ‘Those kind of people are invaluable,’ said Lynch. It’s too much of a sacred trust to me. So, all I’d have to say to Dan is ‘Is the guy any good?’ And he’d go, ‘Yeah, yeah, the motherfucker is a chef.’”, Some of the best moments on that summer 1987 tour weren’t even caught on tape, Baird recalls. He also lured the drummer and several Heartbreakers into the studio to tackle the Grateful Dead's “U.S. I’m a little bit of a free-range chicken sometimes, especially with time on bass. Alan Jackson seems so natural. Was quite surprised to learn he's playing drums again. ‘Don’s a drummer, but he’s a fabulous writer and he understands that a song has to work on many different levels. In the early ’80s Lynch met writer/producer Danny Kortchmar. Ryan Ulyate on Mixing Tom Petty's Wildflowers in Dolby Atmos. I won’t let that that happen. Stan Lynch, the band’s longtime drummer, who eventually quit in 1994, is unsurprisingly the most critical of Petty. Fontana of Presley’s original Blue Moon Boys, an impressive lineup of performers signed on to the project. That’s what I want from Nashville. I’ve got to hear the auctioneer at the vocal mic. I’ve got to hear Dan sing. Stan Lynch About. They told me that I could really be something.’, As soon as Lynch was officially out of the Heartbreakers, he was invited to work with Henley and Kortchmar, who welcomed him to the next chapter of his life. He is a celebrity drummer. Ryan Ulyate on Mixing Tom Petty's Wildflowers in Dolby Atmos Page 2. I began to think I was getting in the way more than anything, and it was time for me to step aside and let everyone get on with their lives and get what they needed. I grew up listening to the music from the ’60s and ’70s, and made it my life, so I know what that kind of music is all about.’, Lynch is also a fan of many Nashville artists. “We were so hard on Stanley. I think there’s some symbiosis going on here. There’s also a real trust issue there. When you’ve worked with bands like Tom Petty and the Heartbreakers, Aretha Franklin, Stevie Nicks and the Eagles, it’s not a strange thing to be interviewed. In addition, Lynch co-wrote ‘Learn To Be Still’ for the Eagles’ Hell Freezes Over album and co-wrote and produced many of the songs on Henley’s most recent album, Inside Job. After a while, drums became relegated to sort of just the timekeeper. Bring me the greasiest, craziest people out there. Lynch admits the visual is a strange one, considering they smoked Marlboro Reds along the way. They spent a couple of hours catching up before Baird asked the drummer if he was interested in playing on some of the new music that he was working on. They have really helped show me the ropes in Nashville.’, Arthur Buenahora, Senior Director of Creative Services & Production at Sony/ATV Tree, said he felt Lynch was a perfect fit for Nashville. “I’d hear that he was auditioning for another group. ‘Stan’s a great songwriter and a great producer,’ said Buenahora, who admitted to being a fan of Petty and the Heartbreakers. Lynch knew Baird had battled chronic lymphocytic leukemia and called to check in with his friend. ... Stan said no to the interview between three and four times. He stepped up the plate and asked me to work. We had the right lineup - the ‘76 lineup.”. ‘(Henley and Kortchmar) were true friends and they still are,’ said Lynch. The instrumental material crackles with a spirited energy that occasionally brings to mind period soundtrack work. I was making the wrong noise. It’s a huge blessing to be able to make music. Choosing to be a musician back then was not like choosing a job, but an entire lifestyle. Don't let the name of the new project by ex-Georgia Satellites frontman Dan Baird and former Tom Petty and the Heartbreakers drummer Stan Lynch fool you. But the way that it went down… “I looked forward to seeing Dan every day,” he tells UCR. There’s a graceful time to walk away from anything.’, However, Lynch said the experience gained from his time with the Heartbreakers was priceless. Lynch is hoping his partner steps up to the mic next time too. That's when the idea of doing an instrumental record started to take shape. Stan Lynch: Gainesville Sun - July 20, 1984: Stan Lynch: Winnipeg Free Press - November 16, 1984: Tom Petty: Rolling Stone #436 - December 6, 1984: Tom Petty: The New York Times - March 25, 1985: Tom Petty: The Los Angeles Times - March 31, 1985: Tom Petty: Auburn Citizen - April 19, 1985: Tom Petty: Schenectady Gazette - June 15, 1985: Stan Lynch Date when he was the original drummer for Tom Petty & the Heartbreakers as social... 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